It’s summer again and almost a year after my last entry. Due to pressing personal matters, I have stopped doing workshops on Street Photography for quite a while and a lot of similar workshops have sprouted due to the rapidly expanding numbert of advocates of the Genre. Street Photography is going through a global resurgence. It was almost 4 years ago today when I bravely started a workshop to explore and exlain the dialectics of the street and the nuances of imagery. I was a fan of street photography since I started dabbling in human interest or daily life photography and it was a lonely endeavor because of very few kindred spirits in the local scene.But times have changed…SP forums and groups mushroomed and with it knowledge.Schools of thoughts emerged and knowledge of the genre flowered.
I believe that Street Photography as we know it is in a continuous flux, confusion on what defines it abounds. The question in our minds are “What is Street Photography and what is isn’t?”. In my workshops, we explore it and attack it with an open mind…we follow the path set out by it’s masters but we also try to evolve it in ways that is as dynamic as the life it tries to capture.
For more information on the coming workshops, Please don’t hesitate to email me at email@example.com
Woke up at 2:30 am due to extreme hot weather conditions so I went down to have a drink of ice-cold water, browsed the internet and saw this article about a trusty camera that another photographer has.
I’ve always been amazed at how other people have managed to keep their cameras pristinely clean and shiny…I don’t know, maybe I am just a camera slob but look at images of the first Fujifilm mirrorless camera I ever had. Bought it about 3-4 years ago as a Christmas present to myself after being frustrated with the rising prices of film. I was accumulating about 60 rolls of films I shot with my M4-2 and I haven’t even processed the rolls.In short, the process from shooting to seeing images became a long and tedious process for me and I was shooting voraciously in the streets.
Now back to the trusty old X100… long story short, It was unfortunate that the unit I owned, suffered from the sticky shutter syndrome.I could not shoot my X100 in any mode other than fully automatic and aperture priority with the opening set on F2.0 only. Otherwise, all my images will be over-exposed.
Imagine lugging around a PHP 57K camera for a couple of years, way past the warranty period and the local distributor whom I bought it from kept promising me that they would repair it…until I got tired and accepted it’s fate.So for two long years, I shot all kinds of stuff…from news to street photography and even multimedia stories with it…from Abra to Mindanao and all on fully automatic mode. Luckily, the exposure compensation dial of the X100 was conveniently located near my right thumb and ever-ready for exposure adjustments.
This trusty old camera with the most wonderfully sharp lens and hybrid optical system is a classic so I held on to it . One day, Fujifilm came to our shores and set up it’s corporate headquarters in Makati. One year after they came, my X100 got a shot in the arm and was repaired free of charge and thanks to their Technical Manager Richard Maranga. It still lives, my X100 despite having been reinforced by his big brother XPro-1, an equally trusty camera.
So the story goes on… till the next hot summer night.
I started using my M-mount lenses on the Xpro-1 so I had my 35mm Nokton Classic cleaned and calibrated so I can use it for poor lighting conditions as a normal lens owing to the 1.5 crop on the XPro-1’s APS-C sized sensor.
Whenever I go out hunting for images on the street, I don’t really have a planned theme…Street photography for me is supposed to be spontaneous or unplanned..the fun of it is when moments or a unique vignette of a scene pops out from your visual landscape. Themes and projects are for the photojournalistic side of my brain. Street photography allows me to wear a different hat. to have the luxury of being able to shoot freely and without pressure from paid assignments.
Most of the time, you lose your touch …and that is the main reason why photography has to be a passion, a lifestyle…It is and should be a part of my daily life, otherwise I suffer from a “visual block”.
Today I started out by visiting The San Sebastian church, where i sat down, absorbed the tranquility and began to meditate, to thank God for pulling me out of evry predicament I thought I could not handle. Then I became aware of the surroundings and began to shoot.
It has been ages since I’ve posted something into my sites, and a lot of things have happened since. To name a few…calamities, devastation, political chaos, family crisis, health concerns, loss of friends and stuff related to our existence on this planet.That was 2013 and I have somehow managed to navigate all of those in a rally towards the last quarter. Although I almost didn’t make it through the last days of December due to extreme exhaustion and probably mental anguish from the life-taxing coverage that was typhoon Haiyan.
It’s now 2014 and since I promised myself to somehow inject new blood into my websites, I am now just attempting to follow through on my self-promise.
Self you say?. that’s a good place to start…since we are in the “selfie” capital, I would like to post one from the hundreds I have stashed away.
In behalf of the Wide Open Streets workshop, I am offering 5 free slots to deserving and passionate street photography enthusiasts for a forthcoming edition of my workshop in October.
Participants are required to send a body of work (portfolio Approx: 15-25 images).
Participants are required to bring printed photos of the portfolio for review and editing (4R prints are sufficient).
A laptop or mobile computer with photo editing software
A short bio and letter of intent to join the workshop.
* exclusive of transportation expenses and food)
email the short bio and letter of intent to firstname.lastname@example.org not later that September 21, 2013
One time, I received a tip that there was going to be a demolition of informal settler’s shanties in San Juan… I had my X100 with me and since time was of great importance ,I did not go back home to get my DSLR cameras.
At first I got so nervous since all my colleagues were clicking away with their high end equipment and all i had was a compact camera with a 35mm prime lens. I held my ground because I knew that if only I could focus accurately, my X100 would carry me through the whole violent coverage..I want to share a slideshow of that fateful day.
Rollover your mouse around the icons for navigation controls and click on the lower right for viewing the slideshow in fullscreen…